and your first video was even called Social Movement. But working within a interdisciplinary field, because I think that is what art is it is just an interdisciplinary field for. It is very important for me to relate what I do to people around. Läs mer om Emily Roysdon. Sie richten sich an private und professionelle Damen, Herren und Paare, die eine Ausbildung gezielt zu verschiedenen Themenbereichen suchen oder vorhandene Wissenslücken schließen möchten.
Cock Ninja StudiosCourtney Scott in: Aunt Seduces Nephew full version.
Domina, Lady, Slave: Sm praktiken studio centric
Die Tagesseminare sind jeweils einzeln unabhängig voneinander buchbar. KE: Did your approach to the concept change during the time your worked with it? KE: When reading about your work, it is often said that you focus on choreography and political action. And I think they are categorically different. What is so fascinating for me with Sergels Torg is that it is a planned place for protest and social movements. So I dont feel like people are not instrumentalized, because there is so much conversation. I have the feeling you have a very broad understanding of what social movement can be, could say something about that? So basically I knew I would like to work with her again in a more comprehensive way.
Bei Besuchen in einem Studio sollte ein Proband vor Ort, die Seminare selbst jedoch nicht Inhalt einer Session sein. Those practices dont necessarily mean that you are in a leading position, but there is certain kind of responsibility connected to them, right? ER: They all explicitly deal with organization, and sometimes even performing organization. KE: As you mentioned earlier, you have curated a group exhibition where you developed the concept ecstatic resistance, which was also the title of the project. Hennes solo- och samarbeten fokuserar på performance i kombination med fotografi, film, text och skulptur. ER: I dont use that word really, I much more prefer to use a vocabulary of movement and choreography instead of performance and event. ER: In that video there were explicitly two things, one that was looking at the dance that came out of Judson Church when they were incorporating vernacular movements, like the works of Yvonne Rainer, Trisha Brown, etc. She really thinks about the deepest practicalities of what sm praktiken studio centric
it takes for a body to do something and that is a really fun way for me to think about the images that I would like to make. KE: How do you relate the term performance? The way an idea of 'free movement' and people demonstrating comes to be represented by an abstraction and in turn comes to represent the idea of the city. And that is really the form of what she does. I feel that these conversations really impacted how this work is going. He is a trans activist and lawyer and he would rather die than wear a body suit in front of a bunch of strangers. Its about the conversations precipitated by the process of working together. And I was worried about that with Ecstatic Resistance. What interests you about that place? It develops the positionality of the impossible alongside a call to re-articulate the imaginary. In general I have read Mouffe before for her theorization of agonistic public space, and thats why I picked up this text now in Stockholm. Under 2010 har hennes verk bland annat visats på Whitneybiennalen, Greater NY på Moma PS1, Mixed Use: Manhattan på Reina Sofia i Madrid och Bukarestbiennalen. Sometimes, I think some of these projects deal too much with representation and too little with agency. It is really about approaching the concepts of language and the impossibility and the imaginary in ourselves. ER: That is interesting, because I recently recognized that every single time I start a project I start from zero. To think about movement, what it means to plan a place for protest to happen and what does that do to the rest of the city and how are things activated and used. KE: You have chosen to call your exhibition at Konsthalll C Sense and Sense, which you mentioned is a"tion from the political theorist Chantal Mouffe. Die Inhalte und Zielgruppen zu den einzelnen Seminaren sind unter den Links einzusehen. But it is also much more practical about activating a certain vocabulary around work. ER: No, its more about improvisation than control. How do you see the relationship between your engagement in lttr and the individual and maybe more object-oriented works you have exhibited this year in exhibitions like The Greater NY at Moma PS1 or at The Whitney Biennial?